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Souls on Tape
Friday, 27 June 2008
I Am Not A Crook
I love how this begins with a giant thud, like a weight dropping from the 5th floor, slamming into the concrete and sending shock waves through the streets. It's certainly one hell of a way for Negativland to announce their return! "Richard Nixon Died Today" is an awkwardly sweet tale about the death of down-trodden ex-president, Richard Nixon. It's also the opening track off of their new album, "Thigmotactic", which is apparently their first song-based release, even though they've been around in various forms for the last 28 years!

"He went to a special place in heaven called Yorba Linda" - I love that!

Negativland's new album, "Thigmotactic", is out July 15th.

Negativland - Richard Nixon Died Today

"American Scrivener" is a song that drips into your ears like warm water - except it isn't water it's magic. It expands and contracts in glowing balls of colour, large and then small, wide and then narrow. It has a conscience, spacey and void - like the illuminated ending of A Space Odessy, but set in America. Highly social - highly spoken - highly important.

USAforLSD - American Scrivener

Unfortunately, due to me moving house (I did mention it - here) Souls on Tape is going to have to enter a brief status of hiatus! This should only last a week or two - I'll see you all at the new place!

[Photo by: billypalooza]
00:05   0 comments
Wednesday, 25 June 2008
Soul Friend: James Nye (2)
This is James Nye's second 'Soul Friend' guest-post, which comes in the slightly belated form of the much anticipated continuation of his short story, "The Definition of Happiness". First part - here.

A woman sits in a small dark room and before her is a piece of paper. She looks upon it as if it holds the secret to life itself. Tears well up in her eyes and soon she is crying. And I don’t mean just a few tears, properly fucking sobbing. She stands and turns to leave, but there is no door. She scrapes at the walls, screaming, trying desperately to find a way out, but soon stops and drops to the floor crestfallen.
The girl looks up and to her left sees a filing cabinet in the corner of the room. She looks back at the paper, slowly rises and picks it up. As she places it into the cabinet she turns her head and looks straight into my eyes. Her tears have gone and with glazed eyes, she smiles.

Grouper - Invisible

I wake up. It really unnerved me. I was physically shaking, my heart pounding. I lay awake for the remainder of the night, unable to settle. When the sun finally crept through the curtains, I quickly dressed and left the flat, needing to just get out for the sake of it. Coffee, croissant, cigarette, a day old English paper as well as the local French rag seemed to be the order of the day.
By the time the caffeine was doing it’s job, I felt more with it. Bored of the English news of gossip and hearsay, I pushed the paper away from me and did my usual routine of trying to polish my language skills using the French press. Cheating as I do by basically looking at the pictures, I flicked through it quite quickly. I would never have noticed anything on the classified pages normally but there was something there that day that caught my eye. An advert in English.

Missing Happiness?
Forgotten how it feels?
Want to file everything away?
Maybe we can help!

The Nat Aston Foundation
6 Rue Mestophilé ,
Paris, 60006
Tel 05-65-47-54-74


I was rarely spooked but this knocked me back a little. I must have reread it a dozen times before I had to look away. I did everything I could to clear my head; Sort my laundry, make my bed, I even went as far as doing the week old washing up. Nothing I did that day managed to erase it from my head. I cursed myself for being so naïve to even consider the notion of following up on an ad for what was most likely to be some religious cult, or even worse, a self help group. Forget it. Of course I wasn’t going to check it out. That be ridiculous. I wasn’t going to go. I was not going to go!
As I walked down Rue Mestophilé , I felt as if I was in a trance. No.6 screamed out for attention in between the rest of the dull lifeless buildings on the street. A neo-gothic monstrosity of granite and marble. Two stone wolves guarding the steep steps up to the solid oak doors. It wasn’t the best first impression I’ve ever had of a company.
As I walked through the entrance, I was relieved to find, not a dark and dingy candle lit castle, but a modern fairly ordinary office foyer. It flowed through to a staircase and a manned lift. To the far side, smiled a receptionist behind her desk.


“Good morning Sir, welcome to the Nat Aston Foundation.”
Her middle English accent threw me.
“Yeah my name’s ****, I saw your ad and was…”
She cut me off. “Oh yes, Mr ****, we’re expecting you. If you would like to just take a seat, somebody will be with you shortly.
”Expecting me? I hadn’t spoke to these people, I’d just rang the number and listened to a standard recorded message reiterating the info in the ad. What had they done, traced the call? Had the receptionist just gotten me mixed up with somebody else? The latter was slightly more believable, so I didn’t argue.
After a few minutes, the sound of leather heels drew my attention to the hallway on the right. A tall but slight man in his mid twenties strode towards me, confidence dripping off every step. A thin but powerful smile underscored the brightest blue eyes and neatly shaven head.
His hand forced itself into mine. “Hello, my name is Nat Aston, welcome.”

As mentioned in James' initial guest-post, the story will be split over forth coming posts.

Buy Grouper's album, "Dragging a Dead Deer Up a Hill", via Type Records. Get Organic Stereo's "The Stories Linger in My Mind", via iTunes. And you can pre-order a copy of Sunset's, "The Glowing City", here, which is out July 15th - stream the album here.


Other 'Soul Friends' include Antti Reikko (musician).
00:54   0 comments
Words Are Just Words
To feel transient is to feel lifted, elevated and euphoric. - It’s a great word! But The Kid aren't concerned with petty meanings, they want the consequences, the mixed emotions and the ultra-highs. They pin down that word by its strictest definition and force it to perform, reward and pay out. They make it dance until it smiles, spin until it laughs and I find myself selfishly joining in; foot-tapping, hands beating and body twitching all over. It's a song that makes me crave multi-coloured lights, speakers as large as houses, and a chance to hold hands with that girl from a John Hughes movie. No problems, no worries; everything is magically washed away, except that moment between you and her and an empty dance floor.

Get The Kid's sophmore album, "Transient Blood", via Hybris.

The Kid - Transient Dance

This is a song about being burnt, not in a physical sense, but an emotional one. It is a warm, folksy and blue song about how everything looses its meaning and becomes simplistic and miserable after heartache. To this heart-broken man; the birds don't sing, they cry, the days are disasters, the nights aren't star lit, they are star-stricken and words are just words. Joe Pug has an obvious gift for gentle imagery and it's potent and direct trough-out the whole EP, "The Nation of Heat" - troubadour music for the heart.

Buy the "Nation of Heat" EP, here.

Joe Pug - Call it What You Will

[Photo by: Rankin Mike]
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Tuesday, 24 June 2008
Silky Sails
I have no idea why I have become so attached to this song. I certainly can't tolerate the Bee Gees (they wrote it) and I've never even liked the original Kenny Rogers & Dolly Parton recording. I really haven't understood why people chose to cover it before, but now, under the silky spell of Feist's vocal romance and the Constantines' seductive power, I feel vulnerable, naked and loved. Whoever had the idea of putting these two voices together should be given a medal or at least a certificate of genius; this is like velvet on silk, purple on blue, or cream on chocolate.

Constantines & Feist - Islands in the Stream (Kenny Rodgers & Dolly Parton cover)

[Photo by: James Young]
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Monday, 23 June 2008
You Will Pay For Your Mistakes in Kind
This gentle soul knows that staring out the window is right and rewarding. He isn't lonely and doesn't care much for being miserable, but he knows that deep in his heart, that right now, it's just him and the night. Sure, many people may be out there, walking around, kicking up dust, throwing empty words around empty streets, but they don't really exist in his world, it's just him and oblivion. He listens closely, ear pressed to the window. He doesn't hear traffic, people, or the general clatter-and-bang of the city, he hears the night, clunking, glowing and chugging sweetly through the air. It sounds like glitter, but heavier, more like polished rust; dense with fizz and dirt. He knows it means well and he's not afraid. You think he would be, but he just looks right into those silky eyes and smiles.

The Lord Dog Bird release their self-titled album August 5th.

The Lord Dog Bird - No Security
The Lord Dog Bird - Walking (With You)

Just under 3 minutes of star-burst-rainbow-melodies and stomping bubble-drum twitches. Flying Foxes make a construction-paper adventure of a song that's sprightly celestial and sounds like orchestral meat. Like riding a symphonic breeze, getting blown-up by a felicitous bomb, indigo skies, or Johnny Mar strumming a cloud - it floats, it flies, it feels!

Flying Foxes - Lost in Low Cloud (demo)

If you are reading this in a reader or via email, then you will be missing out on the brand new layout! I've also simplified the comments section(s), but in the process, have managed to lose all the old ones! Genius!

[Photo by: unknown]
00:19   0 comments
Friday, 20 June 2008
My Day, Fry Day
"Arches" is all about ramshackle guitars and filthy beats! The 6 minute indie rock n' roll ride is essentially quite a shadowy song; shouty, manic and tense - but when that chorus breaks through the entire world explodes, hearts get crushed and melody comes crashing down. It swings, sways and staggers back and forth, like something beautiful and true trying to grow from something dirty and tainted; confused, but wonderful because of it. A dusty drunk, a busy street, a burning sensation and a love that smells of gasoline.

The new album, "The Troubles", hits stores June 24th.

Faces on Film - Arches

A song that has sparked a mighty plagiarism debate. A song that sounds incredibly similar to another song. A song that Creaky Boards say came first. A song that Coldplay say came first. A song that, despite what you believe, is still a great song. A song that moves, climbs and loves. A song that runs and kicks and jumps. A song with similarities. A song made of cloudy colours that spin around you in purples, greens and blues. A song that Chris Martin probably doesn't like all to much at the moment, but kind of has to.

"The Songs I Didn't Write" seems to have opened a shit-storm of opinions in wake of Coldplay's new album, so comments and ideas are very welcome on this one - let the bitching begin!

Creaky Boards - The Songs I Didn't Write

[Photo by: chotda]
17:35   0 comments
Thursday, 19 June 2008
Nothingness and Then More
I'm currently in the process of moving house (again) and I can hear this song floating up from inside all those half-packed boxes. The delicate piano notes become almost visible, appearing as ghostly black and white animations, swirling from the tan-coloured cardboard cubes scattering the room like miniature buildings on the wooden floor. I feel like taking my favourite pen and inscribing the lyrics onto the sides of each box that serves as a temporary home to trinkets, memories, good times and bad, all wrapped in protective newspaper and put away for another day. Soon they will be gone - when they see daylight again they will be different, look different and even have different purposes, but they wont be wasted - nothing ever is.

"Nothing is Lost" is out now via G-Folk and you can buy it, here.

Things in Herds - Nothing is Lost

Back in 2006 The Low Lows really blew me away with their song "Lane Fire", which is probably one of my most favourite songs - ever! This explains why I am so giddy and full of excitement to see them return this week with their new album, "Shining Violence". "Sparrows" is the first track I have heard off of the new album and as tasters go - I am smitten all over again! It's a typical TLL song; folksy, distant, tremulous, and restrained with a deep and longing numbness. Like a lonely cowboy slow-dancing his life away under the neon lights of some dusty middle-of-nowhere bar, there is a great romantic sadness here - but not the bad kind, it's more the sort that happens slowly in-between all those insignificant moments, bringing revaluations and life changes.

Buy "Shining Violence", here. And while your doing so, pick up a copy of "Fire On The Bright Sky" also!

The Low Lows - Sparrow

[Photo by: Peter Doig]
00:07   1 comments
Wednesday, 18 June 2008
Itchy Eyes
Like something familiar coming back to you, but sounding distant or misshapen, "Black Rice" is sort of like hearing everything in permanent echoes. It swells violently and jangles too-and-fro to a stomping boom-beat, the guitars "ping" and "ding" like tiny thumb cymbals and it builds and builds and builds, over and over and over, until everything sounds like one singular instrument - strumming, banging, jangling - again, and again, and again. It walks a wafer-thin line between sounding joyful and sinister and will either make you want to dance in slow motion or stay up late until your eyes become itchy and red. The sound of sunbeams in stereo, rivers of reverb and long hissing corridors with blood on the walls.

Women's self-titled debut album will be out July 8th via Flemish Eye.

Women - Black Rice

This song has certainly come along way since its first magic moment in the movie, "Breakfast at Tiffanys", where Paul 'Fred' Varjak (George Peppard) discovers Holly Golightly (Audrey Hepburn) singing it, accompanied by her guitar, on the fire escape outside their apartment. Since then it's traveled a long and winding path; been Andy William-ized, attacked by The Afghan Whigs, and even been trumpeted by Loius Armstrong. R.E.M walked along side it, so did Morrissey, but it eventually (and strangely!) came to lay upon Patrick Wolf's doorstep. Admittedly, my relationship with Patrick Wolf has always been one of ups and downs, often swaying from interest to ambivalenceand and back again, but for now, right here, with "Moon River" I am spellbound and still.

Patrick Wolf - Moon River & The Stars (Audrey Hepburn cover)

[Photo by: unknown]
00:02   0 comments
Tuesday, 17 June 2008
Soul Friend: Antti Reikko
This summer, Johnny Superhero front-man, Antti Reikko, releases his debut solo album under the guise of Koria Kitten Riot. In our opinion Antti is presently one of Finland's finest songwriters, so it is an honour, pleasure and privilege to have him as our "Soul Friend" guest today.

SoT: Despite recently loosing a band member and becoming a trio, Johnny Superhero seems to be doing very well at the moment, but how did it feel to loose a member of the team? Did it seem like downscaling at all?

AR: As a matter of fact, we started out as a trio, so basically we've just gone back to how we started. Eetu stepped in mostly to create more noise for the live situation - I suppose the biggest difference with him gone is that I have to be a lot more careful when playing; every mistake I make gets noticed a lot easier now. It took a bit of adjusting at first, but we've pretty much found the trio sound we want to have. There's a lot more room for Matti's bass now, and he's happy using all his wacky FX pedals.

SoT: The band recently supported Arts & Crafts favourites The Most Serene Republic back in May, was the experience a good one?

AR: Actually, no. They cancelled. Which kinda sucked because we were really looking forward to it. They're a wonderful band.

SoT: You've obviously been with Johnny Superhero for a good while now so why the need for a solo project?

AR: I've always been into more quiet and poppier music than what the other boys in the band seem to be into. There was a bunch of that type of songs coming out from me at the time, so I just wanted to record them. I also wanted to do something as DIY as possible; I played most of the instruments myself and had a maximum of two tracks coming in at a time, even for the drum kit. I wanted it to be something anyone with a basic computer and a couple of borrowed mics could do, without massive equipment or money. Some of the tracks were even recorded using the built-in microphone of my laptop. I just wanted to create something that's completely my own, basically.

SoT: Listening to the solo work of Koria Kitten Riot, it's quite clear that this is a very different sound from that of Johnny Superhero, but how to you distinguish between what is a Johnny Superhero song and what is a Koria Kitten Riot song when it comes to the song writing process?

AR: I suppose JS is more about distorted guitars, quirky time signatures and loud vocals, while with KKR I'm trying to concentrate more on acoustic instruments, poppier and moodier songs and whispery type singing. It's basically singer-songwriter stuff, whereas JS is a rock band. So far I haven't even had to think about it, it's pretty easy to tell from an idea whether it'll suit JS or KKR better. We're also writing the JS songs together as a band a lot more these days, which makes it totally different. I'm just one third of JS, while KKR basically is me - it also feels quite a bit more personal to me.

SoT: Could you tell me about one of your favourite songs by another artist? A song you feel may have influenced you at some point - reminds you of a story or a memory?

AR: Actually, I don't think songs are that much about memories to me. To me, music is like crystallized emotion really, it helps me in coping with my own experiences and even allows me to feel things I may not have even experienced first hand. Elliott Smith once said in an interview that as a singer-songwriter, there's a constant pressure from people because they seem to assume you could tell them what it's like to be a person. I suppose he felt that was ridiculous and out of place, but then again, I always feel I get at least a glimpse of that when I listen to his albums. My favourite Elliott Smith song of recent has been "Baby Britain", pretty much a perfect pop song that's also kind of haunting somehow. It's the type of song that seems so easy and simple, yet it takes a genius to write it.

Elliott Smith - Baby Britain

SoT: So what's next for both Johnny Superhero and Koria Kitten Riot?

AR: After having finished playing all our shows this spring, we decided to take it easy with JS and not book any new shows for a while. We've all got a lot of new personal stuff to concentrate on for a bit, but we'll also be recording a couple of new tracks, hopefully this year. We already have 3 new songs waiting right now, and we're planning to write enough to do a new full-length. After the quiet and slow "Choices" EP, we're now going to dive into some heavier stuff. I have also just finished recording the KKR album a couple of weeks ago, and it's now in mixing. It'll be out this summer on Heippa Records, and I'm looking forward to it very much. I'll also be playing shows with just me and my acoustic. I've done that three times so far, and it's completely different - and fuckloads scarier - from playing with the band. I'm very excited though.

SoT: Thanks Antti. Take care.

You can hear the previously mentioned Koria Kitten Riot song, "Golden", here.
00:03   0 comments
Monday, 16 June 2008
How I Fell From Earth
I am not the kind of person that likes to be rushed and I have never, in my entire life, met anybody who would say they are! But I think this maybe fundamental to my reasons for liking "Days Are Nights", a sliding bluesy foot-tapper that plods and plonks its way through a topsy-turvy dream-world of mistakes and long days. It's a song that most likely works best when played at mid-volume on a lazy Sunday sofa or as an iPod anthem for insomniacs working hard to get through the day-after-the-night-before. I just can't help feeling sorry for the guy singing; he is so bummed out, everything seems backwards and alien - good is bad, rain is air, fear is love and understanding is confusion - it's like he's about to fall off the edge of the planet and he's done nothing, but admit to his bad decisions and accept it. Poor man.

Buy the double-sided EP, "EV/Coyote Deathbed Surprise", here.

Golden Boots - Days Are Nights

To me "Azz & Tityz" sounds nothing like you think it would. Why? Well, for starters it's not a hip-hop song, it's not loud and you can't really envisage women shaking their body parts to something that sounds like noise, dirt and rainbows, all grunting and colliding on different frequencies. Breakfast Mountain are minimalistic and I'm pretty much in awe of what they do to their music; how they make it sound like light bending and staggering, folding and spinning, like at Christmas or a laser show. I guess this is really a story of how three Portland guys duped me - but in a nice way.

Breakfast Mountain - Azz & Tityz

[Photo by: Rudy Rucker]
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There are many creative people out there, and with that in mind we've decided to open the floor to others; artists, authors, musicians, producers and other art-type bodies, in what we have finally called "Soul Friends". We will hopefully have a couple of these guest-posts per-month, where you will be able to see, hear and read the work of others; explained and delivered in their own words. We will try to make each one different, so that their influences, lives and art are expressed in a new and unique way.

Our most recent 'Soul Friend' is: (click to view)

James Nye

 
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Souls on Tape is an MP3 blog dedicated to the love and discovery of exciting music.

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